

My Morning Jacket leader Jim James will be the first to tell you that the band’s 10th album is, on some fundamental level, more of the same: the same rootsy eclecticism, the same soft-but-chunky ’70s rock (“Squid Ink,” “Die for It”), the same lightly psychedelic insights into the human condition (“Everyday Magic,” “Time Waited”). “Love or hate the band, I think you could agree we try a lot of different things,” he says. “We’re open to any kind of music, any style of music, this or that. And I think this album is kind of the same.” The difference this time was in the approach—namely, the hiring of an outside producer, Brendan O’Brien (Pearl Jam, Bruce Springsteen), for the first time in their 25-plus-year career. The result was a collective shift in which the band was able to free themselves from the minutiae of record-making and relax into being a band—an experience James likened to an athlete connecting with the right coach (and this from a guy who insists he was “never good at sports”). Take “Everyday Magic” and “Time Waited,” highlights that come early in the album but that James wrote deep into the recording process. “It was hilarious because when I started working with Brendan, all these songs kept coming out,” James says. “I email him one song. I’m like, ‘Oh, my God. Check this out.’ No response.” Then another, and another. “‘I wonder if he just missed the email.’” Just when it seemed like he’d reached the end of his efforts, the right ones materialized. “I realized for the first time that I don’t have to take it personally,” he says. “Even when I was trying so hard to micromanage and force everything, at the end of the day, the record makes itself,” he says. is is.