From The Beast To The Blonde
On Fairy Tales and Their Tellers
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- £12.99
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- £12.99
Publisher Description
Entrancing, multi-layered and as wittily subversive as fairy tales themselves, this beautifully illustrated work explores and illuminates the unfolding history of famous fairy tales and the contexts in which they flourished. It also lifts the curtain on the tellers themselves - from ancient sibyls and old crones to the more modern Angela Carter and, of course, Walt Disney. A brilliant compendium of folklore, fairytales and learning which reveals unexpected links and histories behind some of our oldest and most-loved tales.
PUBLISHERS WEEKLY
Notwithstanding the prominence of the Grimm Brothers and Charles Perrault, most narrators of fairy tales, asserts Warner, have been women--nannies, grannies, 18th-century literary ladies, sibyls of antiquity. In this richly illustrated, erudite, digressive feminist study, cultural historian Warner (Alone of All Her Sex) argues that instead of seeking psychoanalytic meanings in fairy tales, we must first understand them in their social and emotional context. In her analysis, ``Bluebeard'' and ``Beauty and the Beast'' reflect girls' realistic fears of marrige in an era when women married young, had multiple children and often died in childbirth. Her delightfully subversive inquiry profiles reluctant brides, silent daughters, crones, witches, fates, muses, sirens, Saint Anne (image of the old wise woman), the biblical Queen of Sheba and Saint Uncumber, who grew a beard to avoid marriage but was crucified for her rebellion. Angela Carter's fiction, surrealist Leonora Carrington's comic fairy tales, Walt Disney movies and French aristocratic fairy tales of veiled protofeminist protest by Marie-Jeanne L'Heritier and Marie-Catherine d'Aulnoy provide grist for her mill.
