48 episodes

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

Filmspotting - Movie Reviews Filmspotting.net

    • TV & Film
    • 4.6 • 3.8K Ratings

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

    Filmspotting Presents: The Film That Blew My Mind - Kristen Johnson on All That Jazz

    Filmspotting Presents: The Film That Blew My Mind - Kristen Johnson on All That Jazz

    Director and legendary cinematographer Kirsten Johnson is known for nonfiction work that is inventive, artful, expressive, and maximal. The same can be said of the film that blew her mind -- Bob Fosse’s All That Jazz. The semi-autobiographical film brings us Joe Gideon (Roy Scheider), a peripatetic creative force working simultaneously to mount a major Broadway production and complete post-production on a feature film, all while maintaining a lifestyle fueled by cigarettes, pills, one-night stands, and Visine, and still finding time for his adoring 12-year old daughter, Michelle. We learn why the iconic film first transfixed Kirsten, and how she continues to be inspired by Fosse’s ingenious use of dance, documentary, theater, music, and more. Host John Cooper shares his personal ties to the film, calling on his days in New York’s theater scene of the 1970s. And co-host Tabitha Jackson (a.k.a. Wife of Kirsten) does her level best to maintain her professional distance as the conversation unfolds.

    Listen and subscribe to The Film that Blew My Mind on Apple Podcasts.
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    • 53 min
    Ex Machina in the Age of AI, Mrs. Miniver (Wyler #3), ‘50s Madness Finals

    Ex Machina in the Age of AI, Mrs. Miniver (Wyler #3), ‘50s Madness Finals

    With Alex Garland’s “Civil War” on the horizon, Adam and Josh take another look at the writer/director’s prescient AI thriller “Ex Machina.” Plus, a spirited debate over 1942’s “Mrs. Miniver” and a finals matchup in Filmspotting Madness—Best of the ‘50s. 
    (Timecodes will not be precise with ads; chapters may start early.)
    Open (00:00:00-00:02:19)
    Review: “Ex Machina” (00:02:20-00:51:47)
    R.I.P. Louis Gossett Jr, M. Emmett Walsh / Dune 2 Feedback (00:51:48-01:03:36)
    ‘50s Madness Finals (01:03:37-01:13:30)
    Wyler #3: “Mrs. Miniver” (01:13:31-01:54:55)
    Close, New Releases (01:54:55-01:57:48)
    Notes/Links:
    Filmspotting Madness
    https://www.filmspotting.net/madness
    William Wyler Marathon
    https://www.filmspotting.net/marathons
    Josh at Ebert Interruptus 2024
    https://www.colorado.edu/cwa/
    Boulder Meetup w/Josh
    https://www.filmspotting.net/events
    Feedback:
    Email us at feedback@filmspotting.net.
    Ask Us Anything and we might answer your question in bonus content.
    Support us:
    -Join the Filmspotting Family for bonus episodes and complete archive access.
    http://filmspottingfamily.com
    -T-shirts (and more) on sale at the Filmspotting Shop.
    https://filmspotting.net/shop
    Contact us:
    https://letterboxd.com/filmspotting
    @filmspotting on Threads
    https://twitter.com/filmspotting
    https://facebook.com/filmspotting
    https://letterboxd.com/larsenonfilm
    @larsenonfilm on Threads
    https://twitter.com/larsenonfilm
    https://facebook.com/larsenonfilm
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    • 2 hr 1 min
    Road House at 35, Road House ‘24, Godzilla x Kong, ‘50s Madness Final Four

    Road House at 35, Road House ‘24, Godzilla x Kong, ‘50s Madness Final Four

    With the release of a new “Road House” starring Jake Gyllenhaal, Adam and Josh debate the merits of the ‘89 original (there are many merits!), along with recommendations of “Godzilla x Kong” and the doc “Ennio” about composer Ennio Morricone. Plus, the Final 4 round of Filmspotting Madness—Best of the '50s.    
    (Timecodes will not be precise with ads; chapters may start early.)
    Open (00:00:00-00:03:40)
    Review: “Road House” at 35 (00:03:41-00:45:54)
    Review: “Road House” (‘24) (00:45:55-01:01:12)
    Review (JL): “Godzilla x Kong” (01:01:13-01:05:04)
    Review (AK): “Ennio” (01:05:05-01:09:04)
    Next Week / Notes (01:09:05-01:19:36)
    ‘50s Madness - Final 4 (01:19:37-01:33:20)
    Close, New Releases, Outtake (01:33:21-01:36:06)
    Notes/Links:
    Josh at Ebert Interruptus 2024
    4.12 Boulder Meetup
    Filmspotting Madness
    -https://www.filmspotting.net/madness
    -William Wyler Marathon
    https://www.filmspotting.net/marathons
    Feedback:
    Email us at feedback@filmspotting.net.
    Ask Us Anything and we might answer your question in bonus content.
    Support us:
    -Join the Filmspotting Family for bonus episodes and complete archive access.
    http://filmspottingfamily.com
    -T-shirts (and more) on sale at the Filmspotting Shop.
    https://filmspotting.net/shop
    Contact us:
    https://letterboxd.com/filmspotting
    @filmspotting on Threads
    https://twitter.com/filmspotting
    https://facebook.com/filmspotting
    https://letterboxd.com/larsenonfilm
    @larsenonfilm on Threads
    https://twitter.com/larsenonfilm
    https://facebook.com/larsenonfilm
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    • 1 hr 39 min
    From the Archive: Godzilla ('54) v Kong ('33)

    From the Archive: Godzilla ('54) v Kong ('33)

    With "Godzilla x Kong" coming to theaters this weekend, we go to the archives for this 2021 conversation (inspired by "Godzilla v Kong") which has Adam and Josh pitting the two classic monster movies against each other.
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    • 58 min
    Love Lies Bleeding, The Best Years of Our Lives (Wyler #2), ‘50s Madness (Elite 8)

    Love Lies Bleeding, The Best Years of Our Lives (Wyler #2), ‘50s Madness (Elite 8)

    Adam and Josh praise Rose Glass’s nasty new noir “Love Lies Bleeding” and are knocked out by 1946’s “The Best Years of Our Lives,” William Wyler’s incisive and moving Best Picture winner. Plus, the Elite 8 of ‘50s Filmspotting Madness.
    (Timecodes will not be precise with ads; chapters may start early.)
    Open (00:00:00-00:04:01)
    Review: “Love Lies Bleeding” (00:04:02-00:28:20)
    Next Week / Notes (00:28:21-00:33:20)
    ‘50s Madness - Elite 8 (00:33:21-00:48:28)
    Wyler #2: “The Best Years of Our Lives” (00:48:29-01:35:33)
    Close, New Releases (01:35:34-01:39:27)
    Notes/Links:
    Filmspotting Madness
    https://www.filmspotting.net/madness
    William Wyler Marathon
    https://www.filmspotting.net/marathons
    Josh at Ebert Interruptus 2024
    https://www.colorado.edu/cwa/
    Feedback:
    Email us at feedback@filmspotting.net.
    Ask Us Anything and we might answer your question in bonus content.
    Support us:
    -Join the Filmspotting Family for bonus episodes and complete archive access.
    http://filmspottingfamily.com
    -T-shirts (and more) on sale at the Filmspotting Shop.
    https://filmspotting.net/shop
    Contact us:
    https://letterboxd.com/filmspotting
    @filmspotting on Threads
    https://twitter.com/filmspotting
    https://facebook.com/filmspotting
    https://letterboxd.com/larsenonfilm
    @larsenonfilm on Threads
    https://twitter.com/larsenonfilm
    https://facebook.com/larsenonfilm
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    • 1 hr 43 min
    Eternal Sunshine at 20, Dodsworth (Wyler #1), ‘50s Madness (Sweet 16)

    Eternal Sunshine at 20, Dodsworth (Wyler #1), ‘50s Madness (Sweet 16)

    For its 20th anniversary, Adam and Josh take a deep dive into the intricate world of 2004’s “Eternal Sunshine of the Spotless Mind.” Plus the first film in the William Wyler Marathon and the Sweet 16 round of ‘50s Filmspotting Madness.    
    (Timecodes will not be precise with ads; chapters may start early.)
    Open / Oscars (00:00:00-00:06:47)
    Sacred Cow: “Eternal Sunshine of the Spotless Mind” at 20 (00:06:48-00:59:28)
    Golden Brickspotting: “Frida” (00:59:29-01:02:36)
    Next Week/Notes (01:02:37-01:07:11)
    ‘50s Madness - Sweet 16 (01:07:12-01:30:53)
    Wyler #1: “Dodsworth” (01:30:54-02:10:55)
    Close, New Releases (02:10:55-02:15:07)
    Notes/Links:
    Filmspotting Madness
    Josh at the University of Michigan-Dearborn
    Josh at Make Believe Seattle (“Devil’s Backbone”)
    Josh at Ebert Interruptus 2024
    Vulture’s Movies Fantasy League
    Golden Bricks
    Feedback:
    Email us at feedback@filmspotting.net.
    Ask Us Anything and we might answer your question in bonus content.
    Support us:
    -Join the Filmspotting Family for bonus episodes and complete archive access.
    http://filmspottingfamily.com
    -T-shirts (and more) on sale at the Filmspotting Shop.
    https://filmspotting.net/shop
    Contact us:
    https://letterboxd.com/filmspotting
    @filmspotting on Threads
    https://twitter.com/filmspotting
    https://facebook.com/filmspotting
    https://letterboxd.com/larsenonfilm
    @larsenonfilm on Threads
    https://twitter.com/larsenonfilm
    https://facebook.com/larsenonfilm
    Learn more about your ad choices. Visit megaphone.fm/adchoices

    • 2 hr 19 min

Customer Reviews

4.6 out of 5
3.8K Ratings

3.8K Ratings

Kotch 22 ,

Perfect Movie Podcast

It’s likely been said in plenty of reviews before mine, but this podcast really does have something for everyone. Whether you seek out arthouse fare or only go to the cinema for MCU installments, Adam and Josh have you covered.

Personally, I like to use Filmspotting to hold myself accountable in correcting blind spots. Thanks to their marathons and ouvreviews, I finally got around to gems like Double Indemnity, In the Mood for Love, and plenty of others.

I started listening some time around the Great Battle of Three Billboards and have been hooked ever since. Now I’m a proud member of the Filmspotting family and attended my first Triviaspotting last month, contributing roughly 0 correct answers (sorry Sam). Oh well, maybe next time.

Kolchaks ,

Dune 2 review

You raved about everything that really didn’t work in this movie. So, … yeah.

AndrewGODUCKS ,

Best film discussion podcast

Thoughtful and insightful discussions on new releases as well as a deeper dive into other movies that may have missed your radar. I have relied on Adam and Josh for the last several years, and greatly appreciate what they do to promote small/independent film (their golden brick discussions) while still keeping pace with larger releases too. They’ve filled the void that was created with the passing of Ebert and Siskel, and keep intelligent film discussion alive and well. My favorite weekly podcast!

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