Across the Margin: The Podcast Across the Margin / Osiris Media

This episode of Across The Margin: The Podcast presents an interview with the author of the 33 ⅓ book dedicated to the legendary Britpop band Pulp’s renowned album This is Hardcore, Jane Savidge. As co-founder and co-head of legendary PR company Savage & Best, Jane Savidge is widely credited as being one of the main instigators of the Britpop movement that swept the UK in the mid 1990s. During this time, Savage & Best represented Suede, Pulp, The Verve, Elastica and Longpigs, whilst representing many other artists of the era including the Cranberries, The Fall, and Jesus and Mary Chain. She is the author of Lunch With The Wild Frontiers (2019) and Here They Come With Their Make Up On: Suede, Coming Up and More Adventures Beyond The Wild Frontiers (2022). This Is Hardcore is Pulp's cry for help. A giant, sprawling, flawed masterpiece of a record, the 1998 album manages to tackle some of the most inappropriate grown-up issues of the day – fame, aging, mortality, drugs, and pornography – and still come out crying and laughing on the other side. In this episode host Michael Shields and Jane Savidge dig into the weighty themes present in This is Hardcore revolving around fame, aging, success, and pornography. They expound upon the “Michael Jackson Incident” which propelled lead singer Jarvis Cocker to unfathomable fame, how Jarvis used music and the crafting of This is Hardocre as catharsis for his real life struggles, what the final legacy of Pulp might be, and ultimately they celebrate a 33 ⅓ book that serves as a love letter to a remarkable album.
Grab a copy of Jane Savidge’s This is Hardcore here!


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This episode of Across The Margin: The Podcast presents an interview with Jen Rainin and Rivkah Beth Medow, co-directors of the critically-acclaimed documentary Ahead of the Curve which chronicles the career of lesbian-rights icon Franco Stevens who launched Curve, the best-selling lesbian magazine ever published. Against the hostile backdrop of hate crimes and family rejection in the 1990s, with few celebrities or politicians willing to be out publicly, Curve magazine dared to celebrate a full, inclusive range of lesbians, queer women, and nonbinary people, seeding some of the most pressing conversations around LGBTQ+ community today. Growing up, Franco never saw any representation of queer women — she didn’t even know it was possible for a woman to be gay. When she realized she was a lesbian, it changed the course of her life. In 1990, Franco created a safe place for lesbians in the form of Curve magazine. Her approach to threats and erasure in the ‘90s was to highlight all kinds of LGBTQ+ women and make them beautifully visible. The magazine helped build the foundation for the movements being led by today’s queer activists. In this episode host Michael Shields, Jen Rainin, and Rivkah Beth Medow dig deeply into what the existence of Curve magazine meant to lesbians and the lesbian community while marveling about the obstacles and adversities Franco Stevens navigated bringing Curve to life. They discuss the controversy and complexities surrounding the word “lesbian,” a dispute concerning the name of the magazine which almost brought the publication down, the important work of The Curve Foundation, and, ultimate, they celebrate the profoundly inspiring legacy of Franco Stevens and the magazine she created which meant so much to countless people.


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This episode of Across The Margin: The Podcast presents an interview with music journalist and author Katherine Yeske Taylor. Taylor began her career as a rock critic in Atlanta in the 1990s, interviewing Georgia musical royalty such as the Indigo Girls, R.E.M., and the Black Crowes while still a teenager. Since then, she has conducted several hundred interviews and contributes regularly to Billboard, Flood, Spin, and American Songwriter, among others. She is a longtime New York City resident and is extremely active in the downtown rock scene. Her book, She’s a Badass: Women in Rock Shaping Feminism, is the focus of this episode. Feminism has always been a complex and controversial topic, as female rock musicians know especially well. When they’ve stayed true to their own vision, these artists have alternately been adored as role models or denounced as bad influences. Either way, they’re asked to cope with certain pressures that their male counterparts haven’t faced. With each successive feminism movement since the 1960s, women in rock have been prominent proponents of progress as they’ve increasingly taken control of their own music, message, and image. This, in its way, is just as revolutionary as any protest demonstration. In She’s a Badass, Taylor interviews twenty significant women in rock, devoting an entire chapter to each one, taking an in-depth look at the incredible talent, determination — and, often, humor — they needed to succeed in their careers (and life). Interviewees range from legendary artists through notable up-and-comers, including Ann Wilson (Heart), Gina Schock (The Go-Go’s), Suzanne Vega, Amy Ray (Indigo Girls), Orianthi, Amanda Palmer, and more. Their experiences reveal the varied and unique challenges these women have faced, how they overcame them, and what they think still needs to be done to continue making progress on the equality front. Their stories prove that promoting feminism — either through activism or by living example — is undeniably badass. In this episode Michael Shields and Katherine Yeske Taylor talk about the inspiring and eclectic interview subjects found in She’s a Badass while considering all the varying struggles they each have faced in a male-dominated music industry. They discuss how feminism has always been a complex and complicated topic, the attributes that propelled the passionate musicians in Taylor’s book to success, the importance of ally-ship, and so much more.
 


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This episode of Across The Margin: The Podcast presents an interview with author Noa Silver, who was born in Jerusalem, raised between Scotland and Maine, and now resides in Berkeley, California. After receiving her BA in English and American literature and language from Harvard University, Noa lived and taught English as a Second Language on Namdrik — part of the Republic of the Marshall Islands and the smallest inhabited atoll in the world. She later completed her MFA in creative writing from San Francisco State University and then worked as an editor on various oral history projects, ranging from an archive documenting the Partition of India and Pakistan to a cancer researcher telling the stories of trauma experienced by cancer survivors. Her debut novel, California Dreaming — the focus of this episode — will be available everywhere on May 21st, 2024. In California Dreaming, we find Elena Berg, having grown up on stories of her mother's wild youth in California, relocating from New England to the Bay Area in 2011 for a placement as an English teacher with Teach for America. Once there, she is eager to inspire a love of poetry and literature in her diverse but underprivileged students. Her own grandfather — a Holocaust survivor — was a storyteller and teacher who touched the lives of his students for years to come. Elena’s mother followed in his footsteps, leaving behind the hippie lifestyle of her twenties to become a university professor.
But Elena quickly finds herself feeling disconnected from teaching, unable to inspire her students, and before long, she grows disillusioned with her career. Coming of age between the Occupy and #MeToo movements and against the backdrop of the 2016 election and California's ever-worsening fire season, Elena reckons with California as she imagined it, and California as it really is. As she does so, she must also ultimately reconcile the person she envisioned herself to be with the person she actually is.California Dreaming is a robust debut in literary fiction. It is an earnest story that encourages readers to think about how we make meaning in our lives, and how the stories we tell ourselves influence the ways in which we see the world — and our place in it.


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This episode of Across The Margin: The Podcast presents an interview with Sean Enfield, an essayist, poet, bassist, and educator from Dallas, TX. Currently, he resides in Milwaukee, WI where he is a PhD candidate at the University of Wisconsin-Milwaukee. He received his MFA in Creative Writing from the University of Alaska-Fairbanks where he served as the Editor-in-Chief of Permafrost Magazine. Now, he serves as an Assistant Nonfiction Editor at Terrain.org. His essays have been nominated for three Pushcarts and he was featured on NPR’s All Things Considered as a finalist for their Three Minute Fiction contest. His debut essay collection, Holy American Burnout!, — the focus of this episode — was the runner-up for the Ann Petry Award, a finalist for The Megaphone Prize, a finalist for River Teeth’s Literary Nonfiction Book Prize, and is available now. Threading his experiences both as a Texan student and later as a first-year teacher of predominantly Muslim students at a Texas middle school, Holy American Burnout! weaves personal essay and cultural critique into the historic fabric of Black and biracial identity. In it, Enfield intersects examinations of which voices are granted legitimacy by virtue of school curriculum, the complex relationship between basketball and education for Black and brown students, his students’ burgeoning political consciousness during the 2016 presidential campaign, and cultural figures ranging from Kendrick Lamar to Hamlet. These classroom narratives abounding in Holy American Burnout! weave around Enfield’s own formative experiences contending with a conflicted biracial family lineage, reenacting the Middle Passage as the only Black student in his 7th grade history class, and moshing in both Christian and secular hardcore pits. As Enfield wrestles with the physical, mental, and emotional burdens that American society places on educators, students, and all relatively conscious minorities in this country, he reaches for an education that better navigates our burnt-out empire.


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This episode of Across The Margin : The Podcast presents an interview with Ben Proudfoot, a Los Angeles-based filmmaker most noted as the director of The Queen of Basketball, winner of the 2021 Academy Award for Best Documentary Short Subject. With co-director Kris Bowers he also brought to life the short documentary film A Concerto Is a Conversation, which was an Academy Award nominee for Best Documentary Short Subject at the 93rd Academy Awards in 2021. His latest documentary, The Last Repair Shop — the focus of this episode — was the recipient of the 2024 Academy Award for Best Documentary Short Subject. Once commonplace in the United States, today Los Angeles is by far the largest and one of the last American cities to provide free and freely repaired musical instruments to its public schoolchildren, a continuous service since 1959. The Last Repair Shop grants an all access pass to the nondescript downtown warehouse where a dwindling handful of devoted craftspeople keep over 80,000 student instruments in good repair and in it the film blends the unexpectedly intimate personal histories of the repair people with emotional, firsthand accounts from the actual student musicians for whom their instruments made all the difference. In this episode host Michael Shields and Ben Proudfoot expound upon what music and access to instruments means to the lives of the children in Los Angeles while considering how the power of music has changed the lives of those who passionately labor in the repair shop. They talk about how the promise of the American Dream manifests itself within the documentary, the message of hope that is abounding in the film, and so much more. Ultimately this episode celebrates an inspiring documentary that serves as a passionate love letter to Los Angeles and to those unsung heroes who gave countless others the gift of music. This is an episode that pays tribute to a truly unique program that has produced countless legends from John Williams to Kendrick Lamar.
Watch The Last Repair Shop here!

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