Le Random

Le Random
Le Random

Le Random is building a digital generative art institution that contextualizes and elevates generative art. We achieve this in two ways. First, we are assembling a historically encompassing, chain-agnostic generative art collection. Second, we publish content that enables the generative art community to understand its past, curate its present and celebrate its future. This includes an Editorials section, our book-length Generative Art Timeline and our multimedia content here and on YouTube. This is the home of Le Random's audio content.

  1. JAN 13

    20: Recapping 2024 and Projecting 2025 in Digital Art

    In this conversation, the Le Random team reflects on a whirlwind 2024 in digital art and looks ahead to 2025. Host Peter Bauman (Editor-in-Chief at Le Random) is joined by thefunnyguys (CEO) and Conrad House (Collection Lead). Chapters 📖 Chapter 1: Introduction [00:00:05] - Host Peter Bauman introduces the podcast, the guests, and the agenda: reflecting on 2024 and discussing the outlook for 2025. Chapter 2: Themes of 2024 [00:01:26] - Discussion on the major themes of 2024, focusing on digital art platforms like fxhash, Foundation, Art Blocks, and their pivots or expansions. - The Artist Token Economy [00:02:43] - Exploration of the fxhash artist token economy and its implications for artists and collectors. - Platform Developments [00:03:30] - Conrad House talks about Rodeo's onboarding process and how platforms are adapting to market conditions. - Market Conditions vs. Institutional Acceptance [00:06:29] - Peter Bauman discusses the dual themes of market struggles and institutional acceptance of digital art in 2024. - Institutional Recognition of Digital Art [00:09:45] - Thefunnyguys and Conrad House reflect on the institutional acclaim for digital art and its impact on the market. - Maturing Market and Collectors [00:11:06] - Discussion on the maturing digital art market and the growing sophistication of collectors. Chapter 2: Exhibitions of the Year [00:14:30] - We share our favorite exhibitions of 2024, including Electric Dreams and Electric Op. Chapter 3: Projects of the Year [00:22:55] - We discuss our favorite projects from 2024, such as The Call by Holly Herndon and Mat Dryhurst. Chapter 4: Le Random acquisitions of the year [00:35:55] - Discussion on favorite team acquisitions and commissions of 2024, highlighting Deep ASCII, Florada, and others. Chapter 5: Artist of the Year [00:45:45] - We nominate our artists of the year, including Holly Herndon, Mat Dryhurst, and Rafaël Rozendaal. Chapter 6: Events of 2024 [00:54:04] - Reflection on the major events of 2024, such as the Generative Art Summit in Berlin and Bright Moments Venice. Chapter 7: Accomplishments of 2024 [00:59:11] - We highlight personal and team accomplishments from 2024, focusing on commissions and content. Chapter 8: Looking Ahead to 2025 [01:04:29] - We discuss the events and projects we're looking forward to in 2025, including NFT Paris and new exhibitions. Chapter 9: Market and Regulatory Outlook for 2025 [01:10:24] - Discussion on the potential impact of political and regulatory changes on the crypto and digital art markets in 2025. Chapter 10: Goals and Aspirations for 2025 [01:20:59] - We share our goals for 2025, including exploring new technologies, activations, and preservation efforts. Chapter 11: Closing Thoughts [01:28:28] - Final reflections on 2024 and excitement for the opportunities and challenges that 2025 may bring.

    1h 29m
  2. 11/04/2024

    18: Digital Curators Series 02—Regina Harsanyi & Jon Ippolito on Preserving the Digital

    In this conversation, Peter Bauman (Editor-in-Chief at Le Random) interviews Regina Harsanyi and Jon Ippolito, two digital curators and experts in digital art's preservation. Harsanyi is the Associate Curator of Media Arts at the Museum of the Moving Image and an independent advisor on preventive conservation for variable media arts. Ippolito is a new media artist, writer and former curator at the Solomon R. Guggenheim Museum. He is also a professor of new media at the University of Maine, where he founded the Graduate Digital Curation Program. The conversation covers the complexities of digital art preservation, especially concerning blockchain and AI-based works. Links: https://transfergallery.com/data-trust/ https://dweb.grayarea.org https://DigitalCuration.UMaine.edu Chapters [00:00:04] Introduction to Digital Preservation [00:01:50] The Financial Reality of Digital Preservation [00:05:25] Industry-wide Challenges in Preservation [00:10:52] Variable Media: Why Preservation Matters [00:14:22] Legacy, Ethics, and Artistic Intent in Preservation [00:27:12] The Role of Museums and Institutional Standards [00:38:30] Blockchain Robustness as Storage Mechanism [00:43:15] Copyright Challenges in Blockchain-based Art [00:54:30] Strategies for Digital Preservation [01:04:02] Digital Conservation's Component Parts [01:13:40] Educational Resources for Collectors and Artists

    1h 19m
  3. 09/30/2024

    17: Digital Curators Series 01—Douglas Dodds on Collecting and Valuing Emerging Technologies

    In this conversation, Peter Bauman (Editor-in-Chief at Le Random) interviews Douglas Dodds, a longtime Senior Digital Curator at the Victoria and Albert Museum (V&A) and a pivotal figure in the institutional collecting of new media art. The discussion covers the challenges of collecting digital art, including sourcing, preserving and showcasing these works in a museum context. Dodds shares particularly valuable insights into the acquisition process, from identifying valuable pieces to navigating relationships with artists and galleries. He also reflects on the unique historical significance of the V&A's collection, which spans early computer-generated works to contemporary digital media, emphasizing the importance of context in building a cohesive and enduring collection. They also discuss the role of donations, the complex value of digital art beyond financial metrics and the delicate relationship between institutions and new digital mediums like NFTs. We get a museum perspective on the concerns of our community. 📖 Chapters [00:00:03]: Introduction to Le Random Digital Curators Series [00:01:35]: Challenges in Collecting Digital Art [00:03:31]: Identifying Worthwhile Artworks and Preservation Issues [00:05:14]: Process of Identifying Digital Art to Collect [00:09:17]: V&A's Goals and Unique Collection Aspects [00:14:54]: Sourcing Digital Artworks and Building Relationships [00:20:55]: Donations vs. Purchases in Acquisitions [00:26:03]: Value of Digital Art for Museums [00:34:00]: Final Steps in the Acquisition Process [00:42:28]: Impact of Patric Prince on Digital Art Collection

    49 min

    Ratings & Reviews

    5
    out of 5
    4 Ratings

    About

    Le Random is building a digital generative art institution that contextualizes and elevates generative art. We achieve this in two ways. First, we are assembling a historically encompassing, chain-agnostic generative art collection. Second, we publish content that enables the generative art community to understand its past, curate its present and celebrate its future. This includes an Editorials section, our book-length Generative Art Timeline and our multimedia content here and on YouTube. This is the home of Le Random's audio content.

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