Temperament Temperament

Temperament

How Music Became a Battleground for the Great Minds of Western Civilization

    • 4.1 • 8 Ratings
    • $13.99
    • $13.99

Publisher Description

Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe.

In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.

GENRE
Arts & Entertainment
RELEASED
2001
November 13
LANGUAGE
EN
English
LENGTH
272
Pages
PUBLISHER
Knopf Doubleday Publishing Group
SELLER
Penguin Random House LLC
SIZE
9.1
MB

Customer Reviews

organ builder ,

Temperament

An excellent explanation of an arcane subject. A must-read for keyboard musicians, most of whom have no idea of the subject.

V~K~ ,

Missing the point / a book for nonmusicians

Obviously written by a tin-ear, the book ignores the fact that equal temperament is badly OUT OF TUNE--the primary reason that it was disliked. I find his book maddening. The author completely misrepresents non equal tempered temperaments as chaotic, when they're much closer to true harmony. The fixed intervals of the piano make music much uglier than it need be and set a poor example to singers. Even the dreaded "wolf tones" occurred only in keys unlikely to be visited by most composers before the 18th century. Argh!

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