The Chills at Will Podcast

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The Chills at Will Podcast

The Chills at Will Podcast is a celebration of the visceral beauty of literature. This beauty will be examined through close reads of phrases and lines and passages from fiction and nonfiction that thrills the reader, so much so that he wants to read again and again to replicate that thrill. Each episode will focus on a different theme, such as "The Power of Flashback," "Understatement," "Cats in the Cradle," and "Chills at Will: Origin Story."

  1. 4D AGO

    Episode 279 with Jon Hickey, Author of Big Chief, and Thoughtful Creator of Profound Scenes, Memorable Characters, and Resonant Connections to Yesterday and Today

    Notes and Links to Jon Hickey’s Work        Jon Hickey is a writer from Minnesota. He earned an MFA from Cornell University and was a Stegner Fellow in fiction at Stanford University. His short stories have appeared in numerous journals such as Virginia Quarterly Review, Gulf Coast, and the Massachusetts Review, among other places. He is a member of the Lac du Flambeau Band of Chippewa Indians (Anishinaabe). He lives in San Francisco with his wife and two sons. Buy Big Chief   Jon Hickey's Website   Book Review for Big Chief in San Francisco Chronicle   At about 1:35, Jon talks about his mindset and early feedback for his novel as Pub Day approaches  At about 3:25, Jon gives out social media and contact info and talks about book events that are upcoming  At about 5:15, “Midwest/Minnesota Nice” is discussed  At about 8:45, Jon mentions exciting advance praise for Big Chief At about 9:45, Jon gives background on language loss in his family, as his grandparents were the “boarding school generation” At about 11:30, Jon talks about how Anishinaabe functions as a language, and how it is both in his DNA and “mysterious”  At about 13:15, John traces his childhood reading, including Stephen King as a transformative writer At about 17:20, John chronicles inspiring and thrilling writers and works and the wonderful writing programs he was part of At about 18:20, Jon charts the huge imprint that Ralph Ellison’s Invisible Man has left on him At about 22:00, Kyle Edwards and his Small Ceremonies, as well as Kate Folk and her Sky Daddy , are mentioned as contemporary works/writers who thrill and challenge Jon At about 24:20, Pete lays out some of Big Chief’s exposition At about 25:55, Jon responds to Pete asking about how Jon pictures the book’s narrator and protagonist At about 29:00, Mack, the tribal president in the book, is described At about 30:00, Jon responds to Pete wondering about motivations for Mitch related to bullying and feelings of being an outsider from his childhood At about 32:15, Ideas of power in politics are discussed At about 34:10, Ideas of authenticity and genuineness and morality are discussed, in connection to politics and voting in the book and beyond, especially regarding Joe Beck At about 35:40, Jon riffs on what he kept in mind while writing the book, with regard to moralizing as an author At about 39:00, Jon responds to Pete’s question about blood quantum and similar ideas and how the discourses have changed or not At about 42:40, Jon talks about tropes and irony and “outward signs” of being indigenous, and how that is reflected in his book’s cover and in society at large At about 43:40, The title and its inspiration is discussed   At about 45:50, Jon reads a representative excerpt that speaks of themes of belonging, and Pete and Jon further discuss ideas of childhood’s impacts on adulthood At about 47:15, Jon discusses the significance of Mack’s protection of Mitch, and Mitch’s self-esteem and power’s connection to cynicism At about 51:10, Mack and his bearing and his motivations are discussed At about 52:00, a pivotal and tragic event-Mitch’s mother’s death-and the subsequent fire vigil is discussed  At about 55:45, The book’s upcoming election and sabotage and Gloria are discussed, with a tip of the cat to Harvey Keitel in calling Mitch a “fixer” At about 1:00:20, Mitch and his cynicism and his work on the campaign are explored, with connections to current political climates  At about 1:02:15, the platforms of the two candidates and ideas of banishment from the tribe are considered  At about 1:05:50, Pete wonders if Mack is a Trump-ish figure, and Jon reflects on how he has tried to write about identity through tribal politics  At about 1:10:00, Pete and Jon ponder the “void” within Mitch and talk about the local political and larger political world collide  At about 1:12:05, Pete compliments the “beautiful” ending, and the two discuss the Sopranos ending, and Jon discusses his mindset in craftin

    1h 22m

  2. 4D AGO

    Episode 278 with Kevin Nguyen, Author of My Documents and Keen Observer and Chronicler of the Old and the New, and Connections Between Historical Tragedies and Today's World

    Notes and Links to Kevin Nguyen’s Work       Kevin Nguyen is the features editor at The Verge, previous senior editor at GQ; has written for New York Magazine, The New York Times, The Paris Review and elsewhere the author of New Waves and the novel Mỹ Documents, which has today, April 8, as Pub Day. Buy My Documents   Kevin Nguyen's Website Book Review for My Documents in Los Angeles Times   At about 1:20, Kevin talks about his mindset and feedback around My Documents as the book nears Pub Day At about 3:00, Kevin provides info on his publishing company, places to buy his book, and book launch events, as well as social media/contact info At about 6:15, Kevin gives background on his language and reading history  At about 9:50, Kevin charts the reading and writers who put him on the path to becoming a writer himself  At about 13:15-Tracy O’Neill and Alexander Chee shout outs! At about 14:55, Kevin shouts out some beloved contemporary writers like Vauhini Vara, Jon Hickey, Darrell Campbell,  At about 17:25, Kevin gives a summary of the book and describes seeds for his book, with “echoes” of Japanese incarceration during WWII, among other catalysts  At about 19:05, Kevin responds to Pete's questions about John McCain’s connections to the book and its epigraph At about 21:35, The two trace the book’s exposition and the narrator’s grandmother’s choices in emigrating from Vietnam At about 24:20, Kevin talks about Ursula’s experiences in the book and connections to second-generations from immigrant families and passing down family stories  At about 26:05, Kevin waxes poetic on Babe: Pig in the City, and its connections to the book At about 30:00, Kevin talks about building characters who are well-rounded At about 31:10, the two trace Jen and Alvin and formative experiences in the book, including Alvin’s being pushed into learning more Asian-American history At about 34:20, Kevin responds to Pete’s questions about expectations subverted   You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he’s @chillsatwillpodcast, or on Twitter, where he’s @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 265 guest Carvell Wallace is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month’s Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete’s, a DIY operation, and he’d love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 279 with Jon Hickey, a member of the Lac du Flambeau Band of Chippewa Indians, whose short stories have appeared in numerous

    41 min

  3. APR 3

    Episode 277 with Douglas J. Weatherford, Translator of Juan Rulfo's Pedro Páramo and The Burning Plain, and Precise Wordsmith, Thorough Researcher, and Passionate Scholar of Film, Language, and Symbol

    Notes and Links to Douglas J. Weatherford’s Work       Doug was born in Salt Lake City but grew up in Statesboro, Georgia, where his father taught German at Georgia Southern University. Doug loves to read, travel, and ride bicycles and motorcycles. He graduated from BYU in 1988 (BA Spanish) and the Pennsylvania State University in 1997 (PhD Latin American Literature). He has been a professor at BYU since 1995. Doug’s research and teaching emphases include Latin American literature and film, representations of the period of Discovery and Conquest, and Mexico at mid-Century (1920–1968, with particular focus on Rosario Castellanos and Juan Rulfo). His latest are new translations of Pedro Páramo and The Burning Plain.   Buy Pedro Páramo (English Translation)   Buy Pedro Páramo (En Español)    Doug's BYU Webpage   New York Times Book Review of Pedro Páramo by Valeria Luiselli   At about 2:15, Doug talks about his “journey” to becoming a professor of Latin-American Literature and Film, with regard to his early language and reading backgrounds At about 6:00, Doug talks about his main focus in teaching over the years At about 7:15, The two discuss linguistics classes At about 8:30, Doug responds to Pete’s questions about texts and writers who have resonated with his students  At about 10:30, Doug reflects on Jorge Luis Borges’ work and potential for teachability  At about 11:35, The two talk about translations of Rulfo’s titles At about 13:30, Doug gives a primer on the collection El Llano en llamas and its various translations  At about 16:40, Doug emphasizes the need to “follow in Rulfo’s footsteps” in translating the famous story “No Oyes Ladrar los Perros” At about 20:15, Doug responds to Pete’s question about Juan Rulfo’s evolving reputation/legacy in Mexico At about 24:15, Pete shares compliments and blurbs for Doug’s Pedro Páramo translation and Pete and Doug talk about Gabriel Garcia Marquez’s important Foreword  At about 27:20, Doug gives background on screenplays done for Rulfo’s work by Marquez and towering respect for Rulfo’s work, especially Pedro Páramo  At about 28:20, The two talk about Pedro Páramo’s movie adaptations and challenges in adapting the work with connection to older characters  At about 31:55, Pete and Doug reflect on key archetypes and connections featured in the first line of  Pedro Páramo  At about 35:00, Doug gives background on his decision-making that affected his translations, including the laser-focus on the book’s first line At about 41:00, The two discuss the book’s exposition, such as it in a chronologically-unique book, including the book’s first narrator’s role At about 42:55, Doug discusses the connections in the book: Citizen Kane and Pedro Páramo, as well as Hernán Cortes and Pedro Páramo  At about 46:30, Doug talks about La Lllorona and Malinche and Páramo connections At about 49:30, Doug gives background on Pedro's son, Miguel and Father Renteria and ideas of betrayal and Biblical archetypes At about 52:35, Themes of sin and afterlife, including purgatory, are discussed, as Doug gives background on Rulfo’s “conflicted” views regarding Catholicism  At about 55:30, Doug goes into greater depth about the links between Citizen Kane and Pedro Páramo At about 59:45, Doug responds to Pete’s question about  At about 1:02:00, Doug responds to Pete’s question about Rulfo’s treatment of Mexican “Indians” At about 1:04:20, Hope and misogyny as a theme in the novel are discussed, and Doug discusses the 2024 Rodrigo Prieto Pedro Páramo film At about 1:09:40, Doug “puts a spin” on the novel’s ending At about 1:15:45, Doug gives book buying information for his translations of Rulfo’s work   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You c

    1h 20m

  4. MAR 18

    Episode 276 with Donna Minkowitz, Author of Donnaville and Master Worldbuilder and Detail-Oriented Painter of Vivid Scenes and Characters

    Notes and Links to Donna Minkowitz’s Work         Donna Minkowitz is a writer of fiction and memoir who author Mary Gaitskill has celebrated as “original, energetic, witty, and meaty.” Andrew Solomon dubbed her “utterly entrancing… a writer with breathtakingly fluent language.” She is also the author of the fantasy-influenced memoir Growing Up Golem and the memoir Ferocious Romance, about being an openly lesbian reporter covering the Christian right undercover. Growing Up Golem was a finalist for both a Lambda Literary Award and for the Publishing Triangle’s Judy Grahn Nonfiction Award, and Ferocious Romance won a Lambda Literary Award. Donna, a former columnist for the Village Voice and The Advocate, has also written for the New York Times Book Review, The Nation, Salon, Slate, and New York magazine.    DONNAVILLE, her first novel and third book, was recently published by Indolent Books. Buy Donnaville   Donna's Website   Book Review for Donnaville from Kirkus Reviews   At about 2:05, Donna provides background on her formative reading and writing years  At about 3:40, Pete and Donna talk about the benefits of reading works a bit too old for them At about 5:05, Donna responds to Pete’s questions about the Torah and how its stories affected her writing At about 6:30, Donna talks about formative and transformative writers, including poets and Greek mythology At about 8:05, Donna responds to Pete’s questions about representation in discussing the significance of Sappho’s work At about 10:25, Donna discusses the nuances of the word “queer” and generational usages  At about 14:00, Pete and Donna stan Honor Thy Father by Gay Talese, which receives a shout out in Donnaville At about 17:20, Donna expands on writers who inspired her as a high school and college student; she talks about the complicated legacy and work of Tolkien  At about 21:30, Pete asks Donna and how the detail shown in Donnaville connects to her work as an esteemed journalist  At about 23:40, Donna talks about her undercover journalism work, including a memorable white nationalism conference and purported former Olympic hopeful At about 26:40, Donna talks about the book’s opening scene and connections to her real life, with regard to therapy and therapists and ways of finding growth At about 31:55, Pete describes the book’s exposition and compliments Donna’s  At about 34:05, Donna cites Denise Levertov’s and Delmore Schwartz’s (“Narcissus”) work as inspiration for her book featuring a city inside her mind; Pete cites another wonderful Schwartz text, “In Dreams Begin Responsibilities” At about 36:40, Donna talks about Foucault and resistance in connection to an evocative line from her book At about 37:20, Donna expands upon how there are two characters in the book who are not pieces of her, and she explains the significance of Harlequin in the book At about 41:45, Donna responds to Pete’s question about the lying nature of Harlequin  At about 44:15, Donna and Pete explore ideas of connection and confusion between abusers and their young victims At about 47:50, Donna talks about early “action” that Donna in the book is urged to take At about 49:40, Pete highlights a beautiful quote regarding the “sacred divine” and Donna talks about expectations of hurt At about 50:30, The two discuss the contradictions of the book’s jailer, and Donna further discusses ideas of shame At about 53:25, Donna expands on how she sees parts of her life and family in certain characters in the book At about 54:40, Pete shouts out a story, William Carlos Willams’ “The Use of Force,” that explores ideas of sadism in similar ways as Donnaville  At about 55:50, Donna muses over ideas of self-care, emotional regulation, and structure in our lives featured in the book At about 57:35, Pete gives details about the book’s main focus, and Donna responds to his observations about Donnaville as “a happily queer book” as she also expands upon pleasures found in the book At about 1:02:05, Pete

    1h 14m

  5. MAR 11

    Episode 275 with Deborah Jackson-Taffa, Author of National Book Award Finalist Whiskey Tender, and Chronicler and Reflective Craftswoman of Endearing and Enduring and Resonant Stories

    Notes and Links to Deborah Taffa-Jackson’s Work          Deborah Jackson Taffa is a citizen of the (Quatzahn) Quechan (Yuma) Nation and Laguna Pueblo. She earned her MFA at the Nonfiction Writing Program at the University of Iowa and is the Director of the MFA in Creative Writing at the Institute of American Indian Arts in Santa Fe, New Mexico. Named Top 10 Book of the Year by Atlantic Magazine, and Top 10 Nonfiction Book by Time Magazine. Buy Whiskey Tender   Deborah's Website   Book Review for Whiskey Tender from Washington Post   At about 1:30, Deborah reflects on and expands on her experience in being a finalist for The National Book Award  At about 5:30, Pete shares some laudatory feedback for her memoir and Deborah shouts out Birchbark Books, Collected Works, Left Bank Books, as some great places to buy her book  At about 7:30, Deborah shares some wonderful invitations she’s received to discuss her book and her art At about 9:05, Deborah explains how she “reverse-engineered” the book with regard to research and personal stories  At about 10:20, Deborah responds to Pete’s questions about her early reading and language life and how her formal and informal education was affected by her family’s histories  At about 15:45, Deborah gives background on her “autodidactic,” transformative learning, study, reading, and traveling that helped her   At about 19:00, Deborah traces the throughlines of colonization in seemingly-disparate groups At about 22:20, Deborah discusses the significance of her epigraph on “ceremony” At about 26:25, Billy Ray Belcourt is cited as Pete and Deborah talk about the speculative and aspirational writing  At about 27:55, Pete and Deborah reflect on ideas of indigenous invisibility as evidenced in a memorable scene from Whiskey Tender At about 29:40, Deborah cites a “shocking” study n her college textbook that speaks to how many Americans view Native American women, and how it provided fodder and stimulus for her memoir At about 31:25, the two discuss a flashback scene that begins the book and the idea of “mirages” as discussed in the opening scene At about 35:20, Pete asks Deborah to expand upon a resonant line from her book about meaningful childhood experiences  At about 37:35, Deborah talks about historical silences in her family and in others  At about 39:40, Deborah talks about the intensive historical research done in the last year before the book was published At about 40:55, The two discuss similarities regarding generation gaps in indigenous groups and immigrant and traditionally-marginalized groups  At about 42:40, Deborah talks about the lore of Sarah Winnemucca in her family and “her savvi[ness] and revisionist history At about 46:25, Pete and Deborah talk about the “flattening” of American Indian stories and pivotal government treaties and reneging on deals by the American government   At about 48:00, Pete and Deborah reflect on contemporary connections to previous American policies At about 50:20, The two discuss a representative story about “lateral violence” and belonging and ostracism that affected Deborah at a young age At about 53:00, Counternarratives to myths about indigenous peoples and movement are discussed  At about 57:20,  At about 59:40, Pete is highly complimentary of Deborah’s writing about her grandmother’s genuine and wonderful nature, and Deborah expands on her grandmother’s cancer diagnosis and outlook and lasting influence  At about 1:02:30, Pete highlights a wonderful closing scene about time and place and home      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and

    1h 8m

  6. MAR 6

    Episode 274 with Annell López, Author of the Short Story Collection, I'll Give You a Reason, and Skilled Craftswoman of Resonant, Layered Characters, Subtle Twists, and the Universal and Hyperspecific

    Notes and Links to Annell Lopez’s Work          Annell López is the winner of the Louise Meriwether First Book Prize and the author of the short story collection I’LL GIVE YOU A REASON from the Feminist Press. A Peter Taylor Fellow at the Kenyon Review Writers Workshops, her work has also received support from Tin House and has appeared in Guernica, American Short Fiction, Michigan Quarterly Review, Brooklyn Rail, The Common, Refinery29 and elsewhere. López received her MFA from the University of New Orleans. She is working on a novel. Buy I'll Give You a Reason   Annell Lopez's Instagram   For The Rumpus: “There’s Always a Little Light, a Glimmer of Hope: A Conversation with Annell López” At about 2:05, Annell talks about her early relationship with bilingualism,  At about 4:50, Annell shouts ut the “great place” that is Newark, NJ, and recounts early memories after her immigration  At about 6:25, Annell talks about how learning English helped her develop her already burgeoning writing ability  At about 8:25, Annell highlights Garcia Marquez’s work in Spanish  At about 9:35, Annell lists books and writers that were formative and transformative for her At about 13:25, Deesha Philyaw, Carlos Maurice Ruffin, Danielle Evans, and Chris Stuck, are referenced as inspiring contemporary writers At about 14:40, Annell talks about seeds for her short story collection and its makeup At about 16:10, the two discuss the collection’s first story and the title character’s anxiety around possible deportation   At about 19:05, Annell reflects on the dynamics of older sibling and young sibling and mother-daughter relationships, as evidenced in the “Dark Vader” At about 20:30, Annell responds to Pete’s questions about colorism as shown in some of her stories  At about 22:35, from “Dark Vader,” a “problematic” Mateo is discussed, along with power dynamics, and Vanessa’s reluctance to pass her GED  At about 27:00, Annell talks about a character’s unnamed bipolar condition, and his son’s motivations in being angry towards his father  At about 30:30, Pete asks about online news madness as referenced in the story collection   At about 32:35, Pete links two stories and the two talk about gentrification and its treatment in the collection, and Pete is complimentary of Annell’s plot structure and what is “left unsaid” At about 34:35, “Love gone stale” as a theme of the book is lauded and discussed At about 37:00, Grief and depression and the bird and beautiful “Bear Hunting Season” are discussed At about 41:30, Annell talks about how her teaching did and did not inform the treatment of teachers in her collection  At about 44:30, Trauma in its many forms in the collection is discussed  At about 45:45, The two explore the title story and its focus on emotional response At about 47:50, Pete highlights a story that focuses on objectification and racism and Annell’s apt second-person usage and diction; she focuses on the story’s universality and realism  At about 50:05, “The Other Carmen” is explored, including ideas of body shaming, body positivity  At about 52:40, Annell explains some “Easter eggs” and “crossover characters” and Pete is complimentary of story endings At about 53:40, Pete asks Annell about the importance of staged photoshoots in a story in the collection At about 55:55, Annell talks about the importance of titles after Pete cites her prowess with same At about 57:45, Pete fanboys about the collection’s last story At about 59:30, Annell responds to Pete’s question about significance of the collection  At about 1:00:45, Annell gives social media and other contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The

    1h 5m

  7. FEB 25

    Episode 273 with Raúl Pérez, Author of The Souls of White Jokes: How Racist Humor Fuels White Supremacy, and Master Connector of Racist Humor and Systems of White Supremacy in the United States

    Notes and Links to Raúl Perez’s Work   Raul Pérez is an Associate Professor of Sociology at University of La Verne. He is also the author of The Souls of White Jokes: How Racist Humor Fuels White Supremacy (Stanford University Press, 2022).    Buy The Souls of White Jokes   Raul Perez's University of LaVerne Website   Book Review from Oxford Review: The Souls of White Jokes     At about 1:50, Raúl talks about his early language and reading journeys At about 5:15, Raúl notes the greatness and importance and multi-generational pull of LAUSD’s coffee cake for the Perez family At about 6:40, Raúl details his high school academic journey and some early inspiring reads-shout out, Mr. Taylor!  At about 9:05, Raúl talks about how college social scene readings and class discussions and formative and transformative professors changed his mindset  At about 12:45, Raúl shouts out Netflix’s Mo as a really “engaging…springboard for discussion” At about 16:45, Raúl responds to Pete’s questions about how humor and its study made its way into his reading and scholarship At about 23:00, Raúl talks about seeds for his writing about humor and race and graduate school goals At about 24:45, Raúl responds to Pete’s question about being able to watch comedy without analyzing it At about 25:50, Raúl recounts stories of his experience taking an ethnography class of humor/standup comedy, including the ways in which race and racism affects standup comedy   At about 27:50, Pete asks Raúl what he might do if he had a few minutes to do standup, and Raúl talks about racialized humor foisted upon him and others in a previous standup class At about 32:00, Raúl reflects on comedians who successfully put in the work and “exercis[e] the funny bone” and “find the funny in everything” At about 33:50, The two reflect on Dave Chappelle’s work and he and Bill Burr and others and how they deal with difficult/traumatic “material” At about 38:00, Raúl and Pete talk about terminology n hs book and Raúl expands on his choice to avoid using the infamous hateful epithet  At about 40:50, Raúl talks about racism “behind-the-scenes” among police officers, sometimes with officers of color targeting Black officers At about 42:15, Raúl talks about Latinos and Mexicans and conversations about anti-Blackness and Afro-Latinos role in these discussions  At about 44:35, Raúl talks about “cancelled” humor and skits on Saturday Night Live, including a legendary skit with Richard Pryor and Chevy Chase, and a pendulum effect with racial and racist humor At about 49:00, Raúl segues into talking about Tom Metzger and WAR’s racist cartoons and Raúl’s book censoring racist language  At about 50:40, Pete outlines the book’s chapter titles and asks Raúl about licensing of racist cartoons used in his book; Raúl expands on Metzger’s and others usage  At about 54:40, Raúl details a controversial NY Post cartoon that depicted President Barack Obama At about 56:15, Raúl responds to Pete’s question about connections between the racist humor towards President Obama and “whitelash” from recent years to the early years of the United States as a country, with President Trump a natural consequence  At about 1:04:25, Pete notes Raúl’s coined term of “amused contempt” and states his thesis of racist humor and its “social power” At about 1:05:30, Raúl discusses the significance of the book’s title and connections to W.E. DuBois’ famous The Souls of White Folk At about 1:10:10, Raúl reflects on the significance of minstrel and its racist legacy and ideas of shared humor at the “expensive of the racialized group” At about 1:12:20, Pete recounts the book’s opening with the story of Cleon Brown and compliments Raúl’s tracing such a long history with the book At about 1:15:00, Raúl talks about how sees Trump’s upcoming presidency and its connections to racist “humor” and how he is an avatar for those who have tired of “wokeism” At about 1:17:00, Raúl expands on Trump 2.0 and those like Elon Musk who

    1h 32m

  8. FEB 20

    Episode 272 with Lamya H., Author of Hijab Butch Blues and Reflective, Thoughtful, and Masterful Crafter of the Universal and Ultra-Specific

    Notes and Links to Lamya H’s Work        Lamya H (she/they) is a queer Muslim writer and organizer living in New York City. Their memoir HIJAB BUTCH BLUES (February, 2023 from Dial Press/Penguin Randomhouse) won the Brooklyn Public Library Book Prize and a Stonewall Non-fiction Book Award, and was a finalist for Lambda Literary and Publishing Triangle Awards. Lamya’s work has appeared in Los Angeles Review of Books, Salon, Autostraddle, Vice, and others. She has received fellowships from Lambda Literary and Queer|Arts.      Lamya’s organizing work centers around creating spaces for LGBTQ+ Muslims, fighting Islamophobia, Palestine and prison abolition. In her free time, she eats lots of desserts baked by her partner, plays board games with whoever she can corral, and works on her goal of traveling to every subway stop in the city. She has never run a marathon.    Find her on Twitter and IG: @lamyaisangry Buy Hijab Butch Blues   Lamya H's Website   Book Review for Hijab Butch Blues from NPR   At about 2:20: Lamya shouts out Dominion as a top-tier board game and talks about flickering hopes of running a marathon  At about 5:35, Lamya talks about reading and writing and speaking in multiple languages growing up, as well as reading a lot of colonial texts from the British Empire At about 7:30, Lamya talks about beijing “flabbergasted” by the great White Teeth at age 15  At about 9:30, Lamya uses the evocative image of “fish not understanding that they’re in water” in responding to Pete’s questions about how she recognized representation and colonial tropes in lit At about 11:10, Lamya cites formative and transformative texts and authors in her adolescent year  At about 13:55, Lamya discusses early sparks for activism through a friend’s introduction of Audre Lorde, Angela Davis, and more At about 15:15, Lamya responds to Pete’s questions about her current reading, including her love for Huda F’s work At about 18:45, Lamya responds to Pete’s questions about her usage of “queer” and the titular “butch” At about 22:30, The two discuss a meaningful Quranic verse that starts off the book-Lamya explains ideas of “faith in flux” At about 25:00, Lamya gives background on surahs and a significant part of her book discussing Maryam’s life and trials At about 26:45, Lamya discusses boredom in the high school years and how she felt connections to Maryam At about 29:45, Lamya responds to Pete’s questions about feeling like life “is out of your control” as a teenager/high schooler At about 30:45, Lamya explains feelings of internalizing queerness upon experiencing a crush at age 14 At about 34:50, Lamya describes the importance of Quranic verses involving Maryam and “intentionality” and taqwa At about 38:00, Lamya responds to Pete’s questions about the “Arab hierarchy” that she experienced as a kid, and the ways in which she and her family were targets of racism At about 41:40, Lamya details many meanings of “jinn” and describes its usage in her memoir At about 43:40, Lamya describes a friend “jumpstarting” a repudiation of internalized racism  At about 45:15, Lamya gives background on Allah and ideas of “transcending” gender  At about 49:00, The two discuss “rigid gender roles” as featured in the memoir, as well as connections to the Biblical Adam At about 50:00, Lamya outlines a offbeat “outing” experience  At about 51:30, Pete describe Musa’s connections to Lamya’s “coming out slowly process” and asks Lamya to comment-she talks about “reframing the negative” At about 53:45, Lamya cites “inviting in” as a way of reframing the “coming out” trope At about 55:35, Pete shouts out Christina Cooke’s quote of queerness as “divine” At about 56:25, The two discuss empathetic and sensitive friends  At about 57:10, The Prophet Muhammed and connections to fealty and openness of fath and individuality are discussed At about 59:50, The two discuss “being “comfortable” in one's own skin and finding community At about 1:00:45, Lamya responds to Pe

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About

The Chills at Will Podcast is a celebration of the visceral beauty of literature. This beauty will be examined through close reads of phrases and lines and passages from fiction and nonfiction that thrills the reader, so much so that he wants to read again and again to replicate that thrill. Each episode will focus on a different theme, such as "The Power of Flashback," "Understatement," "Cats in the Cradle," and "Chills at Will: Origin Story."

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  • Creator
    chillsatwillpodcast
  • Years Active
    2020 - 2025
  • Episodes
    100
  • Rating
    Explicit
  • Copyright
    © Copyright 2020 All rights reserved.
  • Show Website
    The Chills at Will Podcast

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